Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress. 垌头剧集网高清影视剧、动漫、纪录片电影、电视剧综艺动漫短视频等放送好看的迅雷电影下载。享受便捷流畅的全新追剧体验。，无水印又名高清1080P在线观看888电影网最动人的。热门动漫，综艺，电视剧，电影高清免费版在线观看剧集垌头剧集网，手机高清在线播放好看的电影,电视剧大全,经典动漫明星资料，演员角色,影视资讯八卦，榜单等
难看死了，从电影院一路吐槽到豆瓣
剧情凑合吧，相对印度其他电影在悬疑的气氛上做的不错，男主人公蛮帅
作为中国人都觉得很压抑绝望，如果我是韩国人大概会在电影院憋屈地吐血而亡吧……深切感觉到小国夹缝求生丧失话语权的无奈
把jump scare这种简单作业拍成这德行也是没谁了……全篇吓人的套路就是：莫名其妙进入一片黑暗（或忽明忽暗的灯光）→一片死寂→突然冒出鬼脸或突然放大音效→大家一起尖叫
觀影時不斷想起《路邊野餐》和《天註定》，相比起來，中國導演的呈現顯然是過於旁邊蹭蹭了