"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s 达达兔影视整理分享69影院为影视迷分享最新影视综艺等资讯，超好看的影视，主要提供又名热门电影、电视剧综艺动漫短视频等电影完整版在线观看。四海影视支持手机在线高清观看电影大片,最新电影免费高清在线观看达达兔影视，最新又好看的电影网提供电视剧、动漫、综艺高清未删减在线完整观看免费蓝光版每日定时更新超过百部影片，
这片子不太好评价……剧情十分缓慢，有种要还传说一个真实的感觉，但是太过于缓慢了orz很怀疑能从头看到尾不打瞌睡的==
故事有改编，从充满了悲壮哀伤的北欧史诗到宗教渲染下的王国命运，改编也成为了意识形态输出的一部分
李.马文在任何电影里都能独挡一面，原来他是个那么好强的演员，而里根任何一个场景不管排练多少次演起来都是一个样
本片是根据古典戏曲《昭君出塞》改编而来，只是片中画师毛延寿的戏份有多重，那么剧情的改编成分就有多大，结尾部分昭君跳河殉情的桥段简直就是拍成了“烈女传”，而且女主角林黛的扮相显得过于老气，不像是王昭君倒像是王昭君她妈，没有把作为中国四大美女之一的韵味展现出来，有种革命妇女的既视感~
”虽然影片没有再给这番话语以更多的注释，但我的确被这番对白感动了