Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities. 喝茶影视6080新视觉影院及时更新影视资源和影视信息，在线视频最令人心动，伙伴影院又名汽车影院新4k电影木瓜电影网。专业提供最好看的影视免费观看播放速度非常快。喝茶影视，是高清电影在线观看平台。免费为广大影迷提供更多更全的最新抢先
由于并不了解韩国历史，所以对电影背景比较模糊
不过总的来说还是比较一般，大段的琼瑶剧水准的剧情，放在这么部古惑剧里并不协调
但其实这些日本电影都只是生活中的一小段，未来如何没人能知道
但是是一部娱乐性足够强的动作喜剧
91年的片子 不得不称赞李安的功夫 不得不说配乐有些诡异 也可能与当下主人公的心境 处境暗潮汹涌相关联 推手最感动我的就是老爷子写的那番话 共患难易，共享乐不易，世间很多事情都如此，可能发生在父子，亲情上边就越发显得悲凉了些