A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain. This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming. One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played. - JohnHowardReid, imdb 麻花影院全力打造最好的免费最新电影电视剧分享网站。亨达影视飘花影视未删减电视剧，我们会为更加努力!又名提供一手视频在线高清观看，所有内容完全免费观看、不用注册、极速播放、准时更新，。HD高清完整版视频免费观看好看的在线电影、电视剧麻花影院，全集播放高清免费版月光影院在线观看免费播放西瓜影音
感觉文章概括得真好，男主在每个重要时刻，都如此犹豫最终错过
【MovieMovie】喜剧形式讲述电动按摩棒的诞生，性是主题但不淫荡。核心不是生理觉醒，而是心理性别觉醒。男女主几场戏颇有神经喜剧风采。整体剧情虽基于事实却充斥了过多改编巧合。大环境觉醒背景流于表面（结尾仍是男性拯救）。但生理心理双重表现让其不流于一般喜剧而带有政治诉求。三星半
这还是鲍勃迪伦第一次演电影，可惜演技和帅度都被詹姆斯柯本秒成渣了... 本来还期待他和克里斯托佛森对歌的（什么
索性，我上了你的床，同着你欢爱，在身体流连时寻找爱意
感觉全世界的名民谣歌手都是这样一副脾气，恃才傲物自命不凡，偏偏总是命运多舛时运不济，所以自己才会忍不住自嘲“如果一首歌从不是新歌也不会过时，那一定是民谣”