"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be. 火豆电影网在线观看免费国语高清电影电视剧综艺动漫韩剧港剧台剧泰剧欧美剧日剧民当归影院全集的，神马三米电影网我不卡及时快速的影视推荐。又名电视剧、电影、动漫高清完整版免费在线观看手机在线播放高清完整版。最流畅嘻嘻影院国产剧、美剧、韩剧、动作电影火豆电影网，是一个综合新视觉高清电影影院。是影视爱好者们的电影天堂。全集高清版免费
幸好，最后男主能够认识到自己，不想让不幸的事情再发生，于是艾玛就永远地待在了屋子里
老李这次玩得太辛苦了，何苦呢，不就是个matrix嘛
影片开始，一只蜜蜂嗡嗡着想要进入房间，却在意外之后，被妻子杀死
巴黎的人都消失后，警察和大盗则成了相互依靠的朋友...LOL 几段追逐戏非常精彩，莫名的喜感...哈哈 自导自演，有才
张曼玉和周慧敏实在是太迷人了，简直挪不开眼，穿搭也超级潮！那时候的港片里，知名指挥家可以爱上车房妹，妈妈也支持自家千金小姐和小混混谈恋爱……没有歧视，只要心动，这才是真正平等自由的恋爱啊。那时候发达先进的香港，已被如今的内地反超，但我们的社会，我们的思想，真正进步了吗？