The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.co 峰和影院全集免费观看感谢网友的喜爱。2022已上映的每天更新播放不卡，，电视剧完整版电影又名更全经典动漫推荐,综艺娱乐节目尽在。大地影院免费手机在线观看全集播放高清免费观看峰和影院，vip影视是一个用户可根据自己需求选择在线观看影片与迅雷电影下载的免费影院。观看震撼人心的科幻片
导演掌控力到位，调度很舒服
可是因为学会了爱，真切的感受过爱，心中似乎又充满了能量，会好好的生活下去的，连着你们的那一份努力的！
俩小孩帮手里一个长得像黄奕，还有寻父的段落，依旧哀
片子的面向其实是很多的，但一多就容易浅
高妹真好看，那颜值那身材真是爱了。豆瓣什么时候改善打分机制，这片四星8分太高，3星6分又低。就不能打七分吗。前面节奏慢，后面把控的很好，平行宇宙相撞的题材很罕见新鲜，这么好的题材可以艺术家的发挥水平一般般，这个地球被怪兽入侵了，另一个地球却很美好，明明可以用抉择来搞深度的，结果硬是变成了女主角的个人故事线为主，还不如高妹为了拯救自己的地球背叛他们更能展示人性。最后怪物好不容易出现了就结束了不过瘾。