PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, 美剧网艺条龙影视全集在线超清观看全集播放高清免费观看让您足不出户，在家看够影院各大视频资源。，太平洋电影院线又名百果影院全集影视嘀嘻嘀嘻。BD高清免费在线观看海量最新电影图文视频资讯专业的网络电影播放平台。美剧网，免费观看完整版在线最新的好看电影和电视剧收集
为了一个跟别的男人在一起了还和自己保持炮友关系的丑逼前女友 直男去掰另一个直男 结果还两人都弯了 留白和长镜多的有些扰人 有些小细节倒是很有趣 “如果我是…”游戏 接吻前的欲迎还拒 只是阿根廷男人都这么不良卫生吗 烟扔地上还捡起来抽 脚丫那么脏直接上床睡觉 口香糖拿出来再放回去嚼
拍摄手法很怀旧硬汉派？黑色电影？又一个徒有其表的复古风，演技稀烂
因为BC而来，我觉得好搞笑啊哈哈
有时候，国家里存在很多腐败和压制，这让人觉得很不舒服，但比起没有了国家，任人欺凌的时候，这就好得多了
白鲸的致敬不错亚哈船长对于复仇的渴望已经近乎于癫狂